SAN FRANCISCO —
But she also said that evening that her greatest roles were as wife, mother and grandmother. "There's nothing like real love. Nothing." Her husband of more than 50 years, Charles Black, had died just a few months earlier.
They lived for many years in the San Francisco suburb of Woodside.
Temple's expert singing and tap dancing in the 1934 feature "Stand Up and Cheer!" first gained her wide notice. The number she performed with future Oscar winner James Dunn, "Baby Take a Bow," became the title of one of her first starring features later that year.
Also in 1934, she starred in "Little Miss Marker," a comedy-drama based on a story by Damon Runyon that showcased her acting talent. In "Bright Eyes," Temple introduced "On the Good Ship Lollipop" and did battle with a charmingly bratty Jane Withers, launching Withers as a major child star, too.
She was "just absolutely marvelous, greatest in the world," director Allan Dwan told filmmaker-author Peter Bogdanovich in his book "Who the Devil Made It: Conversations With Legendary Film Directors." ''With Shirley, you'd just tell her once and she'd remember the rest of her life," said Dwan, who directed "Heidi" and "Rebecca of Sunnybrook Farm." ''Whatever it was she was supposed to do — she'd do it. ... And if one of the actors got stuck, she'd tell him what his line was — she knew it better than he did."
Temple's mother, Gertrude, worked to keep her daughter from being spoiled by fame and was a constant presence during filming. Her daughter said years later that her mother had been furious when a director once sent her off on an errand and then got the child to cry for a scene by frightening her. "She never again left me alone on a set," she said.